In the early ’90s, Japan’s Takeshi “Beat” Kitano was on a roll, with a superb string of nuanced crime movies that stood in stark contrast to the good-vs.-evil bullet operas that were coming out of Hong Kong at the time. Kitano’s darkly
In the early ’90s, Japan’s Takeshi “Beat” Kitano was on a roll, with a superb string of nuanced crime movies that stood in stark contrast to the good-vs.-evil bullet operas that were coming out of Hong Kong at the time. Kitano’s darkly